Outstanding Editing
The Outstanding Editing category celebrates the skilled editors who shape the rhythm, pace, and storytelling of a film, creating seamless narratives that captivate audiences. This year’s nominees demonstrate extraordinary craftsmanship in their respective works.
Daughters
Adelina Bichis & Troy Lewis, Editors
Adelina Bichis and Troy Lewis bring sensitivity and precision to Daughters, crafting an emotionally resonant documentary that weaves personal stories with powerful visuals. Their editing work enhances the impact of the narrative, ensuring its themes resonate deeply with viewers. This is the first Bolt nomination for both Bichis and Lewis, marking an impressive debut in the Outstanding Editing category.
Hard Truths
Tania Reddin, Editor
Tania Reddin’s meticulous work on Hard Truths delivers a gripping and impactful narrative that explores themes of resilience and social justice. Her editing highlights the film’s intensity and emotional depth, driving its powerful message home. This is Reddin’s first Bolt nomination and her first in this category, showcasing her emerging talent in the field.
Seeking Mavis Beacon
Yeelen Nelson Cohen, Jon Fine & Jazmin Renée Jones, Editors
The editing team of Yeelen Nelson Cohen, Jon Fine, and Jazmin Renée Jones creates a dynamic and thought-provoking rhythm in Seeking Mavis Beacon, blending archival footage and personal accounts into a cohesive and compelling documentary. This is the first Bolt nomination for Nelson Cohen and Fine. For Jones, this marks her second Bolt nomination, with a concurrent nod this year for Outstanding Documentary. It is her first nomination in the Outstanding Editing category.
Twisters
Terilyn A. Shropshire, Editor
Terilyn A. Shropshire’s work on Twisters demonstrates her mastery of pacing and tension, elevating the film’s dramatic stakes while maintaining a seamless flow. Known for her exceptional storytelling through editing, Shropshire previously won this category in 2023 for The Woman King. This year marks her third Bolt nomination and third in this category, solidifying her reputation as a powerhouse in film editing.
We Grown Now
Stephanie Filo, Editor
Stephanie Filo brings authenticity and heart to We Grown Now, using her editing to reflect the tender and realistic portrayal of childhood friendships and family dynamics in urban Chicago. Her deft storytelling marks her first Bolt nomination and her first in the Outstanding Editing category, establishing her as a noteworthy talent in this year’s race.